
KRIS KOLDEN/DN
Comedian Margaret Cho mimics her mother during her performance at
the Rococo Theatre Friday. Cho's edgy comedy both shocked and enlightened
the packed house. |
Plastic surgery, the lack of Asian role models in America
and a variety of bodily function anecdotes were among the topics covered
by comedian Margaret Cho on the Lincoln leg of her "Cho Revolution"
tour.
A packed house at the Rococo Theatre greeted Cho and
her opening act, Bruce Daniels, Friday night.
The hip, young crowd visibly was eager to see Cho and
her risqué, laugh-till-it-hurts routine.
Daniels, a Chicago native, did an excellent job of warming
up the already energetic audience.
He eloquently spoke about his "white friends"
(Daniels is black), and how they think he is "whiter" than they
are just because he speaks so-called proper English.
"No, I'm not whiter than you, I'm just smarter than
you," he flatly said.
He addressed many areas of pop culture, including the
insanity of both "Grand Theft Auto" and "American Idol."
Daniels had perfect timing and delivery, and my only
complaint was that he wasn't on stage long enough.
But the primarily 20-something crowd roared with excitement
when Cho, clad in hot pink spandex pants and a sparkly top, took the stage.
Some may have been shocked by Cho's onslaught of gritty
tales, and yes, her stand-up routine is not for the faint of heart.
But this crowd knew what they were in for.
In the evening's first extended piece, she spoke about
the boredom and bartering that accompanies sex in a long-term relationship.
In an ongoing riff, Cho adopted the over-the-top mannerisms
of the barkers outside Bangkok's sex clubs and her experiences traveling
around Asia.
"I like going to Asia because there's a lot of Asian
people there. Seriously," she said.
Cho's strength is she pushes things beyond the limit.
Just when you think she won't go any further, she does.
In probably the night's most hilarious tale, Cho recounted
an event that involved her losing control of her bowels while in a traffic
jam.
While being extremely candid, Cho's humor also is highly
intelligent.
She described her elementary school days when her Korean
mother would pack her lunchbox.
"When everyone else had Ding-Dongs and Capri Sun,
I had dried fish and peanuts. You can't trade that."
Cho also spoke about her desire to be an actress -- but
she wants to steer clear of the rampant Asian stereotypes.
"I don't want to play a manicurist, a pissed off
liquor store owner, I don't want to ride a bicycle with five of my family
members and I can't run up a wall."
As the night wore on, Cho's performance only got better,
and eventually, more politically and socially charged.
Although she claimed she's "not a breeder"
(she had a messy experience helping a friend deliver a baby), she wondered
if there was any way to purposely have a gay child.
"They're not going to shoot up the school because
it would get in the way of yearbook."
After an incident in which her father called her a "fat
ballerina," Cho directed her dialogue toward the issue of eating
disorders and cosmetic surgery.
"Plastic surgery is the torture, mutilation and
murder of women," Cho said, waiting for the audience's cheers to
die down.
"But I'm still going to get it."
Cho always has made it her business to courageously speak
for the oppressed: Asian Americans, homosexuals, women or any other minority.
Her willingness to address any taboo topic has won her
audiences all over the world, as well as a secure following in Lincoln.
Way to go, University Program Council for bringing a
smart, cutting and politically aware voice into our town.
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